Tuesday, August 21, 2012

Central Party School (CPS) 2012 Study Visit at the NYC Commission on Human Rights

Shulei Li, Vice President of Central Party School (CPS), leader of the study group listening to the translator.

When I think of China and human rights, those two things are not synonymous. Most people would even say that it does not exist in China. It is unimaginable to believe there would be a delegation of over 30 Chinese high ranking government leaders with its entourage of translators, guides and assistants visiting the NYC Commission on Human Rights. On Friday, August 17, 2012, I had the opportunity to reportage this incredible meeting. The Central Party School (CPS) 2012 Study Group is part of a learning program that travels annually to foreign government agencies to learn from their experience implementing policies and public administration. It consists of diverse members nominated by their government agencies and state-owned enterprises to attend this year long program.

Patricia L. Gatling,  Commissioner/Chair of  NYC Commission on Human Rights (CCHR) and Clifford Mulqueen, Deputy Commissioner, briefs Chinese delegation about CCHR.

The Commissioner of the NYC Commission on Human Rights, Patricia L. Gatling welcomes the visiting Chinese group and introduces the Commission's history and function. She explains how expansive NYC laws are against discrimination and the groups it protects. The importance of Commission's role in bettering the lives of the people who live and/or work in NYC. 


Jian Zhang, Director of Anhui Provincial Office of Foreign Affairs, first to ask questions.

The Chinese delegation asked questions about legislation, local vs. federal law, the process of investigation, prosecution, and education. For example one question that was asked (by Jian Zhang?) was how NYC Human Rights Laws affect the homeless population in NYC. What are their rights? How are they dealt with without violating their rights? How do you deal with them and enforce public safety without the law being abused and/or taken advantage of? These questions may reflect issues local Chinese agencies is currently facing with large numbers of people migrating to cities looking for work and creating a homeless population they need to manage.

Patricia L. Gatling quotes Malcolm X, "There is no human rights if there no civil rights laws in place to protect the citizens rights."

As a Chinese American born in NYC, I was taught to understand what my civil rights are at an early age. I live my life everyday enjoying the privileges I believe I am entitled to and that our government laws should provide and protect. This meeting was an incredible opportunity to share with Chinese governing officials our approach to and understanding of human rights/discriminatory laws. Chinese interest in learning from the Commission's example is an encouraging step towards the future direction of China's laws on human rights and discriminatory laws. Through questions the delegation asked I understood their desire to find a way to administer and enforce the law while respecting the individual's rights. A difficult task that requires dedication to upholding those ideals.

Continuing the discussion over lunch.

Prevention through education is one of the most important mission the Commission takes on. Its role is not just as an enforcer but also as an educator to bring awareness to the public of what their rights are. Most of their funding is used to provide education through workshops, awareness, publications, access to specialists and information online for the public.

Shulei Li asks Patricia L. Gatling whether the commissioner stays once NYC administration changes.

At the close of the meeting both parties were very happy with the chance to exchange ideas. For myself it was an incredible opportunity to document through drawing such an iconic event. Even though this may not be a highly publicized event, it was an important one in a positive direction. I am very happy I was allowed to be a part of it.

Friday, June 29, 2012

Worn Through


Hi! I recently did an interview with Arianna Funk from Worn Through for the art I contributed to the Restoring a Past, Charting a Future show in Mystic, CT. You can read the interview here by clicking on the link below. Enjoy!

http://www.wornthrough.com/2012/06/28/objektet-och-museet-restoring-a-past-charting-a-future/

Copyright Rosa Lee

Monday, May 14, 2012

Restoring a Past, Charting a Future, An Artistic Discovery of America's Whaling Legacy by the Dalvero Academy

Hi! The art exhibit Restoring a Past, Charting a Future, An Artistic Discovery of America's Whaling Legacy by the Dalvero Academy is officially open! I would like to invite everyone to come see the show at Mystic Seaport Museum. Below is a sample of my art for the show.


Copyright 2012 Rosa S. Lee
You can follow us on Twitter or Facebook: http://www.facebook.com/DalveroMystic
our website: http://www.dalveromystic.com 
Mystic Seaport Museum: http://www.mysticseaport.org/index.cfm?fuseaction=home.viewPage&page_id=360A0590-1E4F-379B-6086D51DBF693D98



Restoring the Morgan

Copyright 2012 Rosa S. Lee

The Morgan is the last wooden whaling ship of its kind in the world. It is currently being restored at Mystic Seaport Museum, its home now. Documenting the restoration process has been an inspiring and learning experience.

Copyright 2012 Rosa S. Lee
Copyright 2012 Rosa S. Lee

The curved structural support called, knees, of whaling ships need to be built from live oak, a long lived short growing tree with strong thick branches. Mystic Seaport has been very fortunate to receive donations of fallen live oak from hurricane Katrina to renew the life of the Morgan.

Copyright 2012 Rosa S. Lee
To cut a piece of the live oak the restoration crew needs a team of people to use a pulley and position the live oak on the giant saw to cut it.
Copyright 2012 Rosa S. Lee
After the live oak is cut, it is hand finished to fit where the knee was originally. The carpenters use the previous knee as a template and choose the piece that's closest in shape to it. Then it is hand finished to match the old knee and fitted into it's spot. The Morgan is an organic puzzle with individual pieces that forms the ship. The process of restoring the Morgan requires the skillful labor of incredible craftsmen who and intimate knowledge of every inch of the Morgan.

Tuesday, April 10, 2012

Sea Chanteys

Copyright 2012 Rosa Lee
Copyright 2012 Rosa Lee
Copyright 2012 Rosa Lee

On one occasion while I was drawing at Mystic Seaport with the Dalvero Academy, there was a sea chantey festival.  It was amazing to see these songs performed by what looked like everybody in the village of Mystic.  The young and old would join their voices in the chorus with the performers and the swells of their voices would resound from the wall reminding us of the sea.

Copyright 2012 Rosa Lee
Copyright 2012 Rosa Lee
One of the songs I've always heard growing up, the Banana Boat song, was apparently sung by black dock workers who used to unload and load banana filled boats on the Mississippi.  There are so many sea chanteys that we've always listened to an never knew were maritime songs.  I hope that everyone will be able to share my wonderful experience with the music from the heart and soul of the people who ply the vast oceans for their livelihood.

Copyright 2012 Rosa Lee


Friday, April 6, 2012

Charles W. Morgan, the Last Wooden Whaling Ship


Hi! It's been a long time since I've last posted a blog. I'm happy to share this project I've been working on with the Dalvero Academy for the past two years. We've been documenting the restoration of the last wooden whaling ship in the world, the Charles W. Morgan, at Mystic Seaport Museum in Connecticut. Each artist from the Dalvero Academy has also developed individual projects that has lead to a collaborative gallery show with the museum. Here are some of my drawings from the many trips we made to the museum!


I am very excited to invite everyone to come see the show which will be opening the end of April at Mystic Seaport. The show is titled: Restoring a Past, Charting a Future, An Artistic Discovery of America's Whaling Legacy by the Dalvero Academy. You can follow us on Facebook: http://www.facebook.com/DalveroMystic Twitter and our website: http://www.dalveromystic.com to get a preview of what the other artists are working on for the show.

It's been a wonderful experience! I hope you will enjoy the art as much as we've enjoyed working on it.

All art on this blog is copyrighted by Rosa Lee.

Thursday, August 26, 2010

Tour De France 2010

Copyright 2010 Rosa Lee








I was recently in Paris for a professional workshop with the Dalvero Academy! It's the first time I've been to Paris! As a young girl I used to imagine going there soaking in the French culture. To experience Paris through drawing made it an even more special experience. We drew at all the major "must see" sites! One of the class for this session was to draw the Tour De France! It was very exciting to imagine drawing this global event. My friends and I got up early to pick our spot to draw at, knowing there would be a large crowd as it got later in the day. Prepared to camp out at our spot we drew everything around us as Paris got ready for the Tour. As the crowds built, our little spot in front of the barricades grew smaller. Pretty soon the crowd had pushed us up against the barricades and I had just started to work on my large panoramic! I didn't know how I was ever going to finish my drawing! I had to work on it one piece at a time and continuously apologize to my two friends on each side of me as I elbowed them while I drew and the crowds pushed up behind us to cheer on their team or country! When the cyclists raced by, my hands and eyes raced alongside to catch this moment on paper! What an unforgettable experience! - Rosa